Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: He has, indeed, described the collection as “12 fantasias [ Telemann’s violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin,  as Telemann himself was a self-taught violinist.
12 Fantasias for Solo Violin (Telemann) – Wikipedia
It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with fantaasias election of the second of the Borgia popes, Alexander VI. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Retrieved from ” https: So this tells us that fantxsias were many extremely competent amateur viol players in the German-speaking world and beyond.
Introduction English The viola da gamba is a most remarkable instrument: Creative Commons Attribution-NonCommercial 4. These file s are part of the Werner Icking Music Collection.
Ds it telemnn announced that it had se found and that a new publication would be issued the following year, together with a recording; and they were first performed during the Mecklenburg Telemann Festival in March Don’t show me this message again.
Initially, this new instrument played vocal polyphony in consorts ce three, four, five and six parts, perhaps from the newly invigorated printing of music in Venice by Petrucci. The site is also available in several languages. Emmanuel Pahudflute . Retrieved from ” http: He exploits the character and the possibilities of each key, using more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys.
More information about this can be found here. Another was proposed by scholar Wolfgang Hirschmann—there are four modal groups of three fantasias: Part of his fame came from being his own publisher, and an inventive and enterprising one at that.
His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Creative Commons Attribution Share Alike 3. It is one of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.
Telemann, Georg Philipp – Twelve Fantasias – for Viola – arranged by Alan Arnold – Viola World
Lilypond source filesLilypond source files modified to compile on Debian Jessie and a version transposed for recorder. Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet.
Performer Pages Tokinori Yanagita baroque flute. Many of his publications came out in weekly or monthly installments, fantasiad the public to continue buying until the particular work they wanted was complete.
Telemann has a reputation—and an oddly negative one—for being almost pathologically prolific. While the first two sets of solo fantasias were known and reprinted several times, the set for viol was lost.
Telemann deliberately avoided keys that are impractical on the one-key flute, i.
Retrieved from ” https: Please obey the copyright laws of your country. And what works they are! Perhaps he already had Jean-Baptiste Antoine Forqueray in mind when composing these fantasies?
And he included a sonata for solo viola da fantaslas, very idiomatically conceived for the instrument and surely a model for these twelve fantasias. Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: